We have to feel Alicent." So we, of course, had a way of shooting it and really feeling what Alicent might be going through. When you read that scene and you've been through all the episodes right before, it's easy to just be like, "Alicent is a cold-hearted snake." We talked about it before, we were like, "We can't let that happen. We were like, "Wow, that looks better than it did lit." It's just magical moments where the story is telling you, "Hey, yeah, this is the right direction to go."Īnother moment that I really loved in filming this: there's a scene in the beginning of the episode where Alicent is talking to the girl that got raped by her son. We shot that moment of just sitting there, and then a light went out inside. We moved as fast as we could, got inside the chariot, had everything figured out already 'cause we knew it was something we wanted to try. I had this thought of, "Well, why are we watching her coming out of this chariot? It feels like the story is actually the moment right before she comes out." So the cinematographer Katie and I were like, "Okay, we've got 10 minutes." Everybody, the whole crew, was on board with this idea. As you probably saw when you were visiting, we're always rushing, rushing, rushing. This is a place that, in her mind, judged her and made her into someone she didn't want to be, and here she is as someone who has found herself. It's when she arrives to King's Landing and she gets out of this chariot, presents herself, and is very nervous, obviously, because she hasn't been back in so many years. It just felt like we were watching her instead of with her. One of the moments I loved was when we were filming a scene with Rhaenyra.
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